El tema de los celos ha sido recurrente en las novelas europeas del cambio de siglo XIX al siglo XX. Senilità (1898) y Un amour de Swann, –la segunda parte de Du côté de chez Swann (1913)– comparten esta temática que se encuentra relacionada con la noción de enfermedad. Los celos en tanto enfermedad que contraen los protagonistas de estas novelas tienen implicancias directas en nuevas formas estéticas del género novelesco Fin-de-Siècle. Este trabajo analiza hermenéuticamente y desde una perspectiva comparada (...) la composición de la novela de los celos y la figura del celoso. Sostiene que dicha composición de la trama inclina a las novelas seleccionadas a tomar un estilo decadente que recupera la mímesis (en momentos en los que l’art pour l’art atenta contra ella). Esta recuperación de la mímesis es una creación estética que entabla un vínculo explícito con la praxis social a través del celoso burgués (de pequeña o alta burguesía) y sus acciones detectivescas que, sin embargo, no tienen ninguna finalidad orientada a la verdad o la moral. En consecuencia, al no obedecer a un propósito práctico, la novela del celoso concluye estéril. (shrink)

Our aim is to point out some differences between verbal and visual arguments, promoting the rhetorical perspective of argumentation beyond the relevance of logic and pragmatics. In our view, if it is to be rational and successful, film as (visual) argumentation must be addressed to spectators who hold informed beliefs about the theme watched on the screen and the medium’s constraints and conventions. In our reflections to follow, we apply rhetorical analysis to film as a symbolic, human, and communicative act (...) that may sometimes be understood as a visually laid out argument. As a mixture of visual, auditory, and verbal stimuli, film demands active and complex interpretation and (re)construction. Our suggestion is to focus on five different but interrelated elements. The reconstruction and evaluation of the visual argument will be based on those elements, and the whole process will be one of visual argumentation. (shrink)

Analizamos la manipulación en el discurso público, siguiendo el drama shakespeareano Julio César y la versión fílmica de J.L. Mankiewicz. Al centrarse este discurso en la acción, son menos útiles los argumentos coherentes y bien elaborados que las apelaciones emotivas y las imágenes impactantes. Se oculta la verdad con una retórica brillante, pero perniciosa. Solo la participación activa ante la recepción de un discurso manipulador, sin renunciar a la argumentación retórica, puede ponernos en guardia de forma crítica, racional y razonable.

RESUMENAnalizamos la problemática actual en torno a la demostración matemática, con particular énfasis en las ideas introducidas por las demostraciones asistidas por ordenador y por la llamada matemática experimental. Examinamos además la influencia que pueden tener estas ideas sobre el concepto de demostración y proponemos una caracterización atendiendo a las diferentes funciones que puede desempeñar la demostración en su vertientes explicativa, comunicativa, sistematizadora, como incrementadora de la comprensión de resultados y como transmisora de conocimiento y convicción. Finalmente, se ofrecen algunas (...) conclusiones sobre problemas relacionados con la intuición, la lógica, la certeza, el conocimiento y el falibilismo, desde la perspectiva de las demostraciones, que favorecen una concepción cuasi-empirista de la matemática.PALABRAS CLAVEDEMOSTRACIÓN, DEMOSTRACIÓN ASISTIDA POR ORDENADOR, CONOCIMIENTO MATEMÁTICO, CUASI-EMPIRISMOABSTRACTThe present problems about mathematical proof are analyzed, putting the emphasis on the ideas introduced by the computer-assisted proofs and by the so-called experimental mathematics. In addition, the influence that those may have on the concept of proof is examined, and a characterization is proposed taking into consideration the functions that such a concept of proof may perform according to its different aspects as explanation, communication, systematization, as a way to increase undestading of results, and as a way to transmit knowledge and conviction. Finally, and from this perspective on proofs, some conclusions are offered about problems connected with intuition, logic, certinty, knowledge and falibilism, that favor a quasi-empirical view on mathematics.KEYWORDSPROOF, COMPUTER,-ASSITED PROOF, MATHEMATICAL KNOWLEDGE, QUASI-EMPIRICISM. (shrink)

RESUMENPresentamos la contribución de Th. Tymoczko a la filosofía de la matemática y analizamos y evaluamos las demostraciones asistidas por ordenador y los razonamientos no rigurosos en la matemática experimental, con particular referencia al Teorema de los Cuatro Colores.PALABRAS CLAVETYMOCZKO – CUASI-EMPIRISMO – MATEMÁTICA EXPERIMENTAL – RAZONAMIENTO NO RIGUROSO – DEMOSTRACIONES ASISTIDAS POR ORDENADORABSTRACTWe present Th. Tymoczko’s contribution to the philosophy of mathematics, and we analyze and evaluate the computer-assisted proofs and the non-rigorous reasonings in the experimental mathematics, particularly in (...) reference to the Four-Colour Theorem.KEYWORDTYMOCZKO – QUASI-EMPIRICISM – EXPERIMENTAL MATHEMATICS – NON-RIGOROUS REASONING – COMPUTER-ASSISTED PROOF. (shrink)

The study of conscious experience per se has not kept pace with the dramatic advances in PET, fMRI and other brain-scanning technologies. If anything, the standard approaches to examining the 'view from within' involve little more than cataloguing its readily accessible components. Thus the study of lived subjective experience is still at the level of Aristotelian science, leading to a widespread scepticism over the possibility of a truly scientific study of conscious experience. Drawing on a wide range of approaches -- (...) from phenomenology to meditation -- The View From Within examines the possibility of a disciplined approach to the study of subjective states. The focus is on the practical issues involved. (shrink)

As it is well known, in the forties of the past century, Curry proved that in any logic S closed under Modus Ponens, uniform substitution of propositional variables and the Contraction Law, the naïve Comprehension axiom trivializes S in the sense that all propositions are derivable in S plus CA. Not less known is the fact that, ever since Curry published his proof, theses and rules weaker than W have been shown to cause the same effect as W causes. Among (...) these, the Contraction rule or the Modus Ponens axiom, for example, are to be noted. But, moreover, as Brady has proved, even the Generalized Modus Ponens axiom or the Generalized Contraction rule give rise to “Curry’s Paradox” under the same circumstances as W does. In some previous work by us, “weak relevant model structures” are defined on “weak relevant matrices” by generalizing Brady’s model structure MCL built upon Meyer’s Crystal matrix CL. We have proved that wr-ms only verify logics with the “depth relevance condition”. The aim of this paper is to show how to falsify gMPa and gRW in certain wr-ms. In particular, it will be shown that gMPa is falisfied in any wr-ms and gRW in any wr-ms verifying Routley and Meyer’s basic positive logic B+. (shrink)

The present article is trying to study the alliance of religion and philosophy, from Farabi's view, by citing to his works. In this regard, first, we analyzed the historical reasons for the need for philosophy, then we will introduce the Farabi's purposes for constitution of this alliance, through which the necessity of this alliance becomes clear. The main claim of the article is that Farabi correlates the two through two different ways. The first depends upon the historical procedure of the (...) emergence of the language. Accordingly, philosophy would be chronologically prior to religion. And in the second way, he explains the relation between the two, by considering their methodological distinctions, toward pedagogy. Then we can claim that the first way is criticizable but the second is defensible. (shrink)

The Embodied Mind provides a unique, sophisticated treatment of the spontaneous and reflective dimension of human experience.

La pena natural es una situación paradójica que se puede presentar cuando el autor de un delito, al cometerlo o a causa de éste, ha sufrido un daño igual o mayor al que padecería si el juez de la causa le aplicara la pena estatal prevista para tal conducta. Se da con frecuencia al juzgar ciertos accidentes viales, cuando el acusado ya carga el peso de ser quien, por imprudencia, mató a su pareja o familiar cercano, por ejemplo. Pero ¿en (...) qué situaciones y cómo cabe recurrir a la pena natural? En esta investigación, Manuel Serrano explora las diversas aristas y posturas en pugna que atraviesan este tema, donde se cruzan cuestiones como la idea de la “culpa compensada”, la prohibición de aplicar castigo doble por un mismo hecho (non bis in idem) y la clemencia judicial. El autor desmonta la estructura conceptual de la pena natural, estudia jurisprudencia argentina y recorre producciones teóricas de juristas que se han preocupado por este asunto complejo, profundo y poco abordado del derecho penal. (shrink)

Sobre el libro: El presente libro recoge las ponencias presentadas en la reunión anual del Seminario Spinoza que tuvo lugar en la Facultad de Filosofía de la UNED los días 13 y 14 de marzo de 2009, así como la presentación del cuadro de Espinosa pintado por Sorolla procedente de la Donación Simarro y perteneciente al fondo artístico de la Universidad Complutense, que tuvo lugar en El Escorial en el verano de 2008. Los trabajos se articulan en cuatro apartados: la (...) política, la ciencia, la proyección de Espinosa en la Ilustración y la iconografía de Espinosa, y sitúan a Espinosa en su siglo, destacando su carácter anómalo en relación con el resto de autores de su entorno. Espinosa no se adaptó a la crisis, sino que se esforzó por comprenderla sin ceder en sus ideales, lo que permitió que las ilusiones renacentistas se desarrollaran en la ilustración, superando el hiato de la crisis barroca. (shrink)

Œuvre de maturité de François Suarez (1548-1617), Des lois et du Dieu législateur a été publié en latin en 1612. Parmi les dix livres que comprend cet ouvrage, nous avons choisi de présenter pour la première fois les deux premiers en langue française. À partir de l'héritage retravaillé de la philosophie politique antique et médiévale, Suarez élabore une théorie originale de la loi et de la communauté en renouvelant leur rapport à l'éthique et à la jurisprudence. Dans une période marquée (...) notamment par la controverse de Valladolid (1550) et la Contre-Réforme, l'auteur redéfinit le contenu et la finalité des concepts fondamentaux de la théorie politique (l'état de nature, le droit naturel, le droit subjectif, la loi naturelle, le pacte social, la souveraineté, l'État et le droit des gens) en les articulant à une compréhension historique de l'homme conçu comme être libre, raisonnable et fini. Suarez instaure ainsi les conditions d'un basculement du théologico-politique dans la modernité dont les effets se feront sentir, entre autres, chez Grotius et l'École du droit naturel. Les conséquences de ce mouvement seront perceptibles jusqu'au XVIIIe siècle avec Wolf. Des lois et du Dieu législateur permet précisément d'apprécier à sa juste mesure la place privilégiée qu'il convient de redonner à la théorie suarézienne de la loi dans l'histoire de la pensée politique. (shrink)

[1]. Liber V, De varietate legum humanarum et praesertim de odiosis --- [2]. Liber VI, de interpretatione, cessatione et mutatione legis humanae.

Formal ontology as it is presented in Husserl`s Third Logical Investigation can be interpreted as a fundamental tool to describe objects in a formal sense. It is presented one of the main sources: chapter five of Carl Stumpf`s Ûber den psycholoogischen Ursprung der Raumovorstellung (1873), and then it is described how Husserlian Formal Ontology is applied in Fifth Logical Investigation. Finally, it is applied to dramatic structures, in the spirit of Roman Ingarden.

Resumo No Manifesto surrealista, de 1924, Breton explicita o produto da atividade surrealista como uma “luz de imagem”, gerado pela aproximação involuntária de duas realidades distantes. Essa estrutura dupla da imagem surrealista tem um caráter disruptivo, que rompe com a nossa percepção da realidade cotidiana. Com isso, abre-se a possibilidade de um espaço para a crítica social e histórica, bem como para uma intervenção estético-política justamente em uma sociedade na qual as formas tradicionais de crítica parecem estar neutralizadas. Essa experiência (...) surrealista e esse espaço aberto por ela Walter Benjamin caracteriza respectivamente com a fórmula “iluminação profana” e “espaço de imagem”. Ambos apresentam uma grande semelhança com alguns pontos e consequências, em seus conceitos, tanto de “imagem do pensamento”, como de “imagem dialética”, sobretudo na medida em que esses conceitos também são formulados em meio à crise cultural da sociedade europeia, nos 1920, e buscam uma saída revolucionária para a mesma. Trata-se de investigar aqui, por meio de uma análise comparativa dessas concepções de imagem, até onde vai a influência e a relevância do surrealismo para o pensamento figurativo-dialético de Benjamin e para sua compreensão da história.In the Surrealistic manifest from 1924, Andre Breton explains the product of surrealistic action as a “light of image” resulting from an arbitrary approach of two distant realities. This double structure of surrealistic image has a disrupting character that breaks our common perception of reality. Thus can open a space for social and historical criticism as well as for an aesthetical-political intervention in a society where traditional forms of criticism seem to be neutralized. Walter Benjamin defines this surrealistic experience and its opened space respectively with the expressions “profane illumination” and “image space”. Both have similarities with Benjamin’s ideas of “thought image” and “dialectical image”, especially because they were elaborated amidst the cultural european crisis in the 1920ies looking to find a revolutionary way out of it. Through a comparative analysis of these notions of image, this paper proposes to investigate the influence and the relevance of surrealism for Benjamin’s dialectical-figural way of thinking and his comprehension of history. (shrink)

v. 1. De natura legis -- v. 2. De legis obligatione -- v. 3. De lege naturali -- v. 4. De iure gentium -- v. 5. De civili potestate -- v. 6. De politica obligatione -- v. 7-8. De lege positiva canonica.

The stock of knowledge at hand is one of the most important concepts of Schutzian social theory. However, it would seem that attempts to consider the structures of the Life-World have not included social stratification in relation to the stock of knowledge at hand. By analyzing certain data from Argentina’s 2001.

En este trabajo diseño un posible marco de análisis fenomenológico para describir la experiencia de percibir la performance de que se cuenta un chiste. Partiendo del análisis de Michael Barber en su Religion and Humor as Emancipating Provinces of Meaning, Cham, Suiza, Springer / CARP, 2017 me ocupo de lo que sucede en el ámbito finito de sentido del humor. El chiste presenta una estructura de relato. El análisis del discurso y la semántica lingüística han avanzado en este tema de (...) manera relevante y me apropiaré de algunas de sus consideraciones sobre la estructura del chiste para mi indagación. En la segunda sección me dirigiré a tematizar la experiencia perceptiva de la situación mencionada. Puesto que adhiero a la posición filosófica que sostiene que la risa se produce por la percepción de una incongruencia entre dos historias que se parecen contar en el relato que es el chiste, relacionaré la experiencia de percibir (auditiva y visualmente) ese relato dislocado en la performance con los análisis de las síntesis pasivas temporales de Husserl. Finalmente, si logro explicitar que las síntesis pasivas operan en la experiencia del chiste, entonces mostraré que dicha experiencia es del orden de lo teatral. (shrink)

El artículo presenta los desarrollos de Jorge Portilla en la indagacipon sobre la fenomenología del relajo. Esa explicación se problematiza con el fin de ver sus posibilidades y alcances a partir de tres teorías filosóficas sobre el humor: la teoría de la superioridad, la teoría del alivio y la teoría de la incongruencia. Finalmente, se expone cómo el abordaje de la comicidad es central para ver el despliegue intencional y corporal de los sujetos en sitaciones del mundo de la vida (...) a partir de descripciones fenomenológicas. (shrink)

It is accepted that certain mereological concepts and phenomenological conceptualisations presented in Carl Stumpf’s Über den psychologischen Ursprung der Raumvorstellung and Tonpsychologie played an important role in the development of the Husserlian formal ontology. In the third Logical Investigation, which displays the formal relations between part and whole and among parts that make out a whole, one of the main concepts of contemporary formal ontology and metaphysics is settled: ontological dependence or foundation (Fundierung). My main objective is to display Stumpf’s (...) concepts of partial content, independent content, spatial wholes, sound wholes, and the different kinds of connection among parts, in particular, fusion (Verschmelzung). Second, I will show how Husserl improved this background, in particular with regards to the exact nature of the theory of manifolds (Mannigfaltigkeitslehre), in discussion with Georg Cantor, the father of set theory. Third, I will focus on Ingarden’s use of formal ontology and on the different modes of being that can be justified by appealing to the concept of ontological dependence in its Ingardenian variations. If my interpretation is adequate, it should be inferred that formal ontology is the operative theory of phenomenological philosophy, and this must be acknowledged in its full significance with respect to the supposed independence of the phenomenological method since 1913. A further consequence, not developed in this essay, is that formal ontology can be mathematised. (shrink)

The aim of this article is to clarify how Husserl applies his formal ontology to the constitution of immanent temporality. By doing so, my objective is to unravel the relationships between the phases of this temporality that make up a unit—that is, the relationship between protentions and retentions and a proto-impression that gives rise to the temporal moment “now” in an experience of the immanent consciousness. In connection with this reconstruction, I will attempt to clarify Husserl’s definition of time as (...) a “one-dimensional orthoid multiplicity,” the roots of which lie in Riemann’s work. I interpret Husserl’s description as a model for the description of the phenomenon of time. Its nature as a model seems to unfold with the problem of the time diagram. Which diagram best represents the constitution of immanent temporality? Larrabee has discussed this issue, and I propose that the best interpretation of the diagram is to consider it as applying to a spherical surface rather than a flat one. This interpretation allows us to account for the multiple relationships among presentations, memories, and other presentifications in an empirically appropriate manner while at the same time providing us with another vision of Husserl’s consciousness, which allows us to reconsider the relationship between subjectivity and objectivity. (shrink)